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There’s something inherently dazzling about video that lines up with a song, but we both like it when it really hits you in the face and doesn’t leave your senses to interpret the timing or the mood. I think Porter and I share the goal of wanting to catch the viewers attention unapologetically. Luckily this goes in line with how I like to perform visuals. We wanted to emphasize things with tighter cuts to the beat rather than fades or transitions. Our goal of cutting all the visuals to music ahead of time, was to do something that was super tight and related directly to the beat or sometimes individual instruments in the live mix. We ended up making some new things too that week from existing material or as transition pieces. So my role kind of shifted from creating content to edit mode. Porter was back and forth with all of us through that process before I collected all the footage and brought it down to North Carolina for the fabled four day editing session. I had been playing around with 3D stuff using Blender and Photoshop, and Porter was really feeling the low poly vintage 3D vibe, so a lot of what I made was in that zone and added a nice contrast to the 2D animation. I met up with Elliot at ILN a few times while his team was at work, and also made a batch of visuals for the show. There was recently a great write up about their process in Animation World Network. All the illustrated animation you see in the show was directed by Invisible Light Network who are also in NY. The content itself was developed over a much longer process and involved many artists. GD Those four straight days were spent editing the show. Did your own experiences and inspirations come through in this collaboration? You worked alongside each other in 2012 as well, and I’m curious about your fingerprint on this next level.
#PORTER ROBINSON WORLDS LIVE VISUALS HOW TO#
Onto even more massive things!ĭD In the first part of the ‘Worlds’ live tour documentary, Porter mentioned the two of you spending four straight days in one place, figuring out how to execute this live visual show. Now, onto my conversation with ‘Worlds’ VJ and show collaborator, Ghostdad.ĭD Hey man! So kool to have you on Disco Droppings a second time. And of course, thanks to Porter Robinson for crafting this beautiful album. Cheers to every person involved in this tour, both mentioned and not. tour, and are now preparing for the final showsin South Lake Tahoe (California), London, Amsterdam, Barcelona, Luxembourg and Australia. They just recently wrapped up a massive U.S. So rare that I can speak with someone whose had a hand in bringing such a memorable show to life. I saw and felt some similar things, both shows representing originality, top-notch stage/light productions, emotional depth, perfect cohesion and the ability to create different versions/edits of their songs, new and old. Being there got me on a path to be an artist myself, start this site and eventually do this interview present day. Literally can't even count how many times I've listen to this set Comment by wolves.To start off, I’ll say that Porter Robinson’s ‘Worlds’ show was one of the best I’ve ever seen! It was in the same room and on the same stage that I saw Daft Punk in 2007, when my interest in electronic music first started. This is art for the mind Comment by Gael Jimenez 2ĬRYING PART 3 Comment by Michelle Cherie What song is this? Someone puhlease Comment by fleuvex What is this song please? I cant find it!!! Comment by petey pablo How has nobody commented anything on the most beautiful part ToT Comment by SKYCAPTAIN93 Thank you for recreating this, and big love to Porter Robinson <3 Comment by ethanto_themax This is either my 'I gotta get work done' or 'I gotta lift something heavy' playlist and it has really got me through all sorts. I've been listening to this most days for years. I loooooooveeeeee 흐흐흐- Comment by User 671865140
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Also this is an absolutely amazing edit of this set! Comment by thepugthug_ Genre LISTEN! Comment by Daniel Do you have a link to the Language (Altervoice & Staytide Remake) edit? Cant find it anywhere but its easily the cleanest version of the track I have heard. Nero - The Thrill (Porter Robinson Remix) Used rips from the Coachella set + the old remake set to make an extended Worlds set with all the new material.